This month in Paris, some of my photos from Brazil will be exhibited at the Maison des Associations in the 11th Arrondissement as part of a show called “Looking to the Future: Children of Amazonia and Mexamerica” (“Regard sur l’Avenir; enfants de l’amazonie et Méxamérique”). The Facebook event is here. The exhibit will be up through the month of March. On March 22, the documentary Voix d’Amazonie (Amazon Voices — trailer here)will be shown. If you’re in Paris, check it out!
Here’s a blurry pic of the last show in Paris, in December, which I neglected to mention on this blog. Since I happened to be in town reporting on the Tribunal for the Rights of Nature I was able to stop by. The two photos at bottom left are mine:
My photo of anti-Belo Monte graffiti in Altamira, Brazil, was used in this openDemocracy story by Lucia Nader, who is Executive Director of Conectas Human Rights, a Brazil-based NGO with national and international projects. (“Belo Monstro” and “Eletromorte” are plays on words: The consortium building the mega-dam is called Eletronorte, and “morte” means “death” in Portuguese.)
From Lucia’s piece: “There is a perverse see-saw effect in place within the BRICS countries. In Brazil, as the government grows in prominence and companies become more global and voracious, human rights NGOs face a sustainability crisis and find their budgets shrinking. Are these two developments connected?” More >
No one knows for sure what happened to Pittsburgh icon Sombrero Man, but his portrait, at least, will be at the Modern Formations gallery through tomorrow.
Paulette Poullet’s painting is based on a picture I took back in the day. She’s informed me that it has sold, which is exciting! Yinz check it aht n’at:
Artist Paulette Poullet and photographer Kurt Garrison explore some of the mysteries of Pittsburgh and beyond in a shared exhibit October 4-26 at ModernFormations Gallery in Garfield. Opening reception during the Unblurred gallery crawl on Oct. 4th from 7-10pm.
In her portion of the exhibit, Poullet, an Ignatz-nominated cartoonist and Garfield resident, will showcase paintings that highlight the theme ‘Our Disappearing City.’ “It’s a tribute to the things that attracted me to Pittsburgh that are vanishing every day,” says Poullet, who came to Pittsburgh from Puerto Rico in the 1990s and has made the city her home ever since.
Garrison’s portion of the exhibit is titled ‘Things Are Looking Up.’ The photos he’ll have on exhibit come from his travels both near and far and include an eclectic assortment of subjects such as London living, the Reykjavík skyline, Dublin waterways, Welsh castles-turned-bomb shelters, the redefining of art installations and ceilings in Parisian art galleries, as well as a few choice shots of the Civic Arena to keep the locals happy.
Admission to the exhibit is free and open to the public. The exhibit runs through October during gallery hours – 7-9 p.m. Thursdays, 1-4 p.m. on Saturdays, and by appointment. The exhibit’s closing ceremony will be on Saturday, October 26. For more information about the exhibit, call ModernFormations at 412-362-0274.
Plácida at her loom, weaving a manta — a cloth for carrying babies and other fun uses. This was in Patacancha, Peru, a village near the town of Ollantaytambo. The women there have a weaving cooperative to sell their crafts in collaboration with an NGO called Awamaki.
Dancer, pre-Easter parade, Cuzco.
A linda (the pretty girl), Olinda. When I went to set up at the gallery today, another artist asked, “That hat, is that a surgery thing?” No — it’s a hairnet. This girl was working at her grandmother’s tapioca stand in Olinda, Brazil, and mugging for the camera.
Framed prints of these photos will be available for sale at The Trouble with Girls All-Female Art Revue this Saturday, April 28, from 7pm to midnight at The Bubble, 810 NE 4th Ave., Fort Lauderdale, FL 33304. I’m going out of town and won’t be there, but if you’re in South Florida, come out for what looks to be an amazing show! Besides the awesome ladies showcasing their art, you’ve got:
Live music by Haochi Waves and Dooms De Pop!
Fun Burlesque acts by Aurora Natrix and Sofia Luna
Yumminess by Ms Cheezious Food Truck
Good-mood tunes by DJ Cobra
Hydration provided by PBR & Redbull
… With all that, how can you go wrong? Come out Saturday! 7 to midnight!
Sixteen-year-old Andres, who until recently was addicted to crack and living on the streets of Medellín, Colombia, cuts an intricately decorated cross out of red construction paper with an X-ACTO knife, creating a stencil he’ll use later to silkscreen a t-shirt, an art technique made wildly popular by Andy Warhol.
“These kids have held knives, but not to make art,” says Juan Carlos Moreno Osorio, an educator from FARO Family Foundation, a rehabilitation center in Medellín that works with teens like Andres who are addicted to drugs or are in trouble with the law.
This past June, Andres and about 20 of his peers were in Jericó, a tiny rural town in the Andes about three hours from Medellín, to participate in an art workshop designed by The Andy Warhol Museum in Pittsburgh and delivered in partnership with Jericó’s Archeological Museum of the Southwest (MASUR). Oddly enough, this tucked-away town of 12,000—with its meticulously painted houses and amiable hospitality—has blossomed into a destination for, of all things, Warhol enthusiasts. Or perhaps more accurately described: the Warhol curious. More >
"Only after the last tree has been cut down, Only after the last river has been poisoned, Only after the last fish has been caught, Only then will you find that money cannot be eaten." Cree Indian Prophecy