Sixteen-year-old Andres, who until recently was addicted to crack and living on the streets of Medellín, Colombia, cuts an intricately decorated cross out of red construction paper with an X-ACTO knife, creating a stencil he’ll use later to silkscreen a t-shirt, an art technique made wildly popular by Andy Warhol.
“These kids have held knives, but not to make art,” says Juan Carlos Moreno Osorio, an educator from FARO Family Foundation, a rehabilitation center in Medellín that works with teens like Andres who are addicted to drugs or are in trouble with the law.
This past June, Andres and about 20 of his peers were in Jericó, a tiny rural town in the Andes about three hours from Medellín, to participate in an art workshop designed by The Andy Warhol Museum in Pittsburgh and delivered in partnership with Jericó’s Archeological Museum of the Southwest (MASUR). Oddly enough, this tucked-away town of 12,000—with its meticulously painted houses and amiable hospitality—has blossomed into a destination for, of all things, Warhol enthusiasts. Or perhaps more accurately described: the Warhol curious. More >