This month in Paris, some of my photos from Brazil will be exhibited at the Maison des Associations in the 11th Arrondissement as part of a show called “Looking to the Future: Children of Amazonia and Mexamerica” (“Regard sur l’Avenir; enfants de l’amazonie et Méxamérique”). The Facebook event is here. The exhibit will be up through the month of March. On March 22, the documentary Voix d’Amazonie (Amazon Voices — trailer here)will be shown. If you’re in Paris, check it out!
Here’s a blurry pic of the last show in Paris, in December, which I neglected to mention on this blog. Since I happened to be in town reporting on the Tribunal for the Rights of Nature I was able to stop by. The two photos at bottom left are mine:
NBC Philadelphia used one of my shots from last night’s Ferguson solidarity protests in Philly, after the announcement of the decision not to indict officer Darren Wilson in the death of Michael Brown.
More of my photos and video from last night on are up on Demotix.
My photo of anti-Belo Monte graffiti in Altamira, Brazil, was used in this openDemocracy story by Lucia Nader, who is Executive Director of Conectas Human Rights, a Brazil-based NGO with national and international projects. (“Belo Monstro” and “Eletromorte” are plays on words: The consortium building the mega-dam is called Eletronorte, and “morte” means “death” in Portuguese.)
From Lucia’s piece: “There is a perverse see-saw effect in place within the BRICS countries. In Brazil, as the government grows in prominence and companies become more global and voracious, human rights NGOs face a sustainability crisis and find their budgets shrinking. Are these two developments connected?” More >
Just noticed that my photo of Colombia’s Palace of Justice was used to accompany an Austrian story about how, “after half a century of civil war, Colombia is trying to end the conflict. The year 2014 is all about two important ballots and the conclusion of a peace agreement.” More at Wiener Zeitung Online (in German) >
The West Indian manatee is an example of evolution optimizing for one thing: taking time to slow down and munch the seagrass. They have no natural predators, just humans and their boat propellers. Individual animals can be identified by the unique pattern of scars on their backs. Their thick skin has kept them going, but maybe not for much longer.
Florida’s manatees are on the IUCN Red List of Endangered Species because “the population is estimated to decline by at least 20% over the next two generations due to anticipated future changes in warm-water habitat and threats from increasing watercraft traffic over the next several decades.”
But even slow or no-wake zones and better boater education may not be enough to save the Florida manatee. Another kind of man-made threat – runoff and pollution – is destroying their seagrass beds. More manatees died last year in Florida than ever before recorded.
I came home for the holidays to South Florida, where my parents live on the Intracoastal Waterway. Every year around this time, we see many manatees go past the house, heading south to warmer water.
But this year, I was puzzled. Where were all the manatees? Then I read about the record die-off in the state of Florida in 2013 – 829 dead manatees, out of an estimated total population of 5,000. That’s more than one in six of all the manatees in the state. And 173 of the dead were breeding-age females, according to the Florida Fish and Wildlife Institute.
Read more at The Guardian > (Sadly, they took out the picture of Dad and Bubba and replaced it with “professional” AP/Reuters photos. You can’t have everything.)
No one knows for sure what happened to Pittsburgh icon Sombrero Man, but his portrait, at least, will be at the Modern Formations gallery through tomorrow.
Paulette Poullet’s painting is based on a picture I took back in the day. She’s informed me that it has sold, which is exciting! Yinz check it aht n’at:
Artist Paulette Poullet and photographer Kurt Garrison explore some of the mysteries of Pittsburgh and beyond in a shared exhibit October 4-26 at ModernFormations Gallery in Garfield. Opening reception during the Unblurred gallery crawl on Oct. 4th from 7-10pm.
In her portion of the exhibit, Poullet, an Ignatz-nominated cartoonist and Garfield resident, will showcase paintings that highlight the theme ‘Our Disappearing City.’ “It’s a tribute to the things that attracted me to Pittsburgh that are vanishing every day,” says Poullet, who came to Pittsburgh from Puerto Rico in the 1990s and has made the city her home ever since.
Garrison’s portion of the exhibit is titled ‘Things Are Looking Up.’ The photos he’ll have on exhibit come from his travels both near and far and include an eclectic assortment of subjects such as London living, the Reykjavík skyline, Dublin waterways, Welsh castles-turned-bomb shelters, the redefining of art installations and ceilings in Parisian art galleries, as well as a few choice shots of the Civic Arena to keep the locals happy.
Admission to the exhibit is free and open to the public. The exhibit runs through October during gallery hours – 7-9 p.m. Thursdays, 1-4 p.m. on Saturdays, and by appointment. The exhibit’s closing ceremony will be on Saturday, October 26. For more information about the exhibit, call ModernFormations at 412-362-0274.
"Only after the last tree has been cut down, Only after the last river has been poisoned, Only after the last fish has been caught, Only then will you find that money cannot be eaten." Cree Indian Prophecy